Romeo and Juliet - Zeffirelli and Luhrmann Film Comparisons

Romeo and Juliet - Zeffirelli and Luhrmann The two main film interpretations of Shakespeares Romeo and Juliet are Zeffirellis, made in 1968, and Luhrmanns, made in 1997. Although they use the same original record book written by Shakespeare, these two films are very different. Zeffirellis is persistent in the 16th century, at the measure when the screenplay would have inauguration been written whereas Luhrmann has set his film in modern sentence but still using the Shakespearian language. The most paramount and well-known scene of Romeo and Juliet is the balcony scene where Romeo and Juliet first declare their get rid of the sack for each other. Luhrmanns version of the balcony scene is started with a discriminating frighten off as Romeo enters the Capulets house and knocks a daub to the ground. This gains the audiences attention without delay for the scene. Romeos movements are clumsy and speech is fast-paced and raspy. Romeo escapes outside and awkwardly attempts to climb a vine below Juliets window. The camera pans out often to show the view of their entire Capulet estate, this shows the importance of where they are as its a forbidden area for Romeo to be. Romeos feckless actions put a brief comical twist into this innocent tragedy. From Juliets window, a gnomish figurine of the Virgin Mary rouse be seen for a short time through the curtains.

This has a strong exemplary meaning, showing the contrast between Romeo and Juliets intimate intentions and a hotshot of purity and religion. It could also be a symbol of inform meant for Romeo and Juliet. When Juliet is first s een in the Lurhmann version, she is the comp! lete antonym of Romeo. Juliet is wearing a flowing white dress, signifying her innocence and tenderness; she delicately exits an lift and begins to speak her lines with full use of facial... If you exigency to get a full essay, order it on our website: OrderCustomPaper.com

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