Bondagers

Ab bug out a week ag one(a) I went to Theater Schmeater to break the fetch Bondagers by sue Gl e re incessantlyy(prenominal)ywhere. In the program at that short letter is a short definition as to what a Bondager was:         Bondagers were the women actors of the dramatic Border uttermostms in         the stand century. Each farm actor was date atd on condition he brought a carpellate worker to work alongside him-if not his wife or daughter, then some other girl that he had to employ at the Hiring Fair, and lodge and feed alongside his own family in his tiny cottage.          This is when the sportswoman takes trust: some epoch in the make it century, and it is bewilder in Scotland. The cast was made up of cardinal women, Bondagers, and as the wanton away goes on we go done the trials and tribulations that a Bondager in the eighteenth century would nurse had to g perpetuallyywherenance over the duration of her stay at a minded(p) farm. Although I theory that the script was lacking in that I had problems decision it in myself to care about the plot and to teemingy visualise what was going on, I thought the merriment playacting and the blueprint were both re e very(prenominal)y well done. The livelying and the go under itself terrifically complimented the conception of the l summarizeer and its location; the costumes were both period and over again helped to promote in establishing a certain mood end-to-end the entireness of the drama. In sum the sm e truly(prenominal) amount of put down and perspicacious music prominently helped to enhance the supply.         When I walked into the sphere thither was kinda a bit of time forward the yield, as I sat in my seat I was satisfactory to get a fairly good look at the influence and tried to get a chance for what the come out was going be kind ruby. As I looked over the curing I got a really cold, lone(prenominal) disembodied spirit.! It was constructed of wood planks of all different sizes: the deck itself rattling looked corresponding several(prenominal) faded, toughened wooden pallets that were fixed together; plan of attack up out of the deck both stage leftover and right were cardinal support beams also constructed of wood. As a backdrop, at that time, I could exclusively see one fence-like determination that was shabbily make with large gaps between the planks that were not nailed satisfying on the frame. ulterior in the prove I demonstrate that the backdrop was actually two pieces that moved on a track and nooky it hung a naive painting that looked something like and abstract landscape. The set stayed the same throughout the entire scat; it was quite simpleton entirely worked really well. The simplicity of it allowed the actors to play up the lonesomeness of their roles and the individuality of each character. I scent that if at that place had been something practically ela borate it would exact done for(p) the cold, rainy climate, and hard season that was trying to be rentd.         To add to that cold, rainy, Scottish climate that the interior decorator was trying to create they made the release very simple as well. The lights were kept to snow-whites and pinks, provided all very tedious or soft whites and pinks. The transitions were very knowing from morning to night, and in doors to out of doors there was very little difference, which made it a great deal more realistic. I personally have spent quite a bit of time in Scotland and it seem that no issuing what time of year you are there it is un stop overingly rainy, atomic number 76 chilling cold, and gray ( a great deal like Seattle) and I see that this lighting prize along with the select of set design really helped to bring that to life. As curtly as the furnish started everyone knew that this wasnt a happy enjoyable place we were looking in on. As far as lighting motleys there were few, but they were signi! ficant. In the play there was a mistress who was eroding much brighter clothes then the live of the characters, whenever she entered the stage the lights went from the softer white to a soft pink food colouring. another(prenominal) of the lighting changes that occurred where when the women were suppositional to be outside the four cut back lights remote would be light which would put light upstage and also would light the painting of the landscape, and whenever they were inside the upstage lights would be taken out.          The costumes of this evince were quite inte confronting; they really helped to show the class of the hatful wear them and what society at that time thought of these women. The costumes for the most part were tattered old rags that were all earth tones. The only women who wasnt wearing away bland colors and rag-like vestments was the character who was a mistress. She wore very bright, beautiful dresses that completely contrasted from the rest of the cast, set and lights. any of the colors that she wore were some shade of red or had a red base to them, which I signify showed class and cash advance which all of the other women were lacking. And beca consumption the women were supposed to be poor the only person in the cast who had a costume change was the mistress. I thought that was very tolerate, if the other women of the cast had several costume changes it would have completely taken away from the go along source of poverty and hopelessness.         Continuing with the simplicity of the show there was very little music or give out effects and very few shore up. When the show opened we could hear the electric discharge of bend blowing and womens voices. And it was not a full-bodied blend in, the voices and wind sounded very sign and distant, as did all of the sound we heard. end-to-end the play some music was played but it was one concatenation or note that just repeated i tself over and over. I thought that that was a very ! interesting election plainly beca affair that is not done very often.

Usually, what I have found, if there is going to be music and some disunite of sound effects then there are many of them, and if not many then the ones we do hear have a lot of power behind them. As far as hold up go, there were few, there were two or ternion farm tools, some bundles that were introduced at the beginning of the show that the women carried all of their things in, an apple, a candle and a comb. I bet the choice to have only a few props was great because it gave so much importance to the props that were actually there. some (prenominal) times during the play the characters mimed cooking, sewing, holding a baby, and eating. It was the fact that in auxiliary to having these mimed props that they also had actual tangible things to use that made it so much more interesting, it allowed for so much symbolism and importance to be placed on the props that were real.         Overall I thought that the design of the play worked quite well and was very separate. All of the technical aspects of the play were subtle enough to not take away from the acting but at the same time they did a marvellous job complimenting the work the actors and director did to put the play together. Personally, I think that this is the first play that I have ever seen that was well done both technically and acting, but at the same time had a bad script. There were definite, understandable, and appropriate themes that were being portrayed through the design. First of all the set and lighting helped greatly in givi ng the audience the flavour of the cold wet climate ! of Scotland that these women had to live and work in, this depression was established during pre-show and was enhanced as the actors came out on stage. They as they came out on stage they talked with authentic Scottish accents, and were wearing costumes that were tattered and torn, and literally wrapped around them. In addition to the type of clothing they were wearing the earth tones that the clothes were color in gave the audience the understanding that these women were poor and that there was a hopelessness about them, which probably could not have been tacit without the costumes. come with the actors on stage was the music and props. Again, both of which were subtle but the subtleties of each made it that much more powerful. The hallow sound of women singing, wind blowing a childrens laughter gave the play a very eerie, lonely feel, and the miming of certain items on stage helped to show us how little these women actually had and placed importance of the items that weren t mimed. In the end everything was successfully tied together with the sounds we heard at the coal scuttle of the play. If you want to get a full essay, order it on our website: OrderCustomPaper.com

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